gerda lampalzer

das odessa-syndrome
a media theoretical examination in the style of the famous steps scene from the   lm battleship potemkin (sergei eisenstein, 1925). every time i read books about political theory,   lm or media theory, media philosophy, perception theory, or art, i trip over different steps in and around my house. is it the complexity of these texts or the weight of the books that interferes with my balance?


the books that brought me down:
joseph beuys: documenta arbeit; gilles deleuze: the movement image; documenta gmbh (ed.): documenta 5 – questioning reality – pictorial worlds today; sergei eisenstein: selected works; michel frizol: a new history of photography; david h. hubel: eye, brain and vision; alexander kluge: the devil‘s blind spot; horst knitzsch: filmgeschichte in bildern [the history of film in images]; michael köhler (ed.): constructed realities – the art of staged photography; karl marx/ friedrich engels: selected works; staatliche kunsthalle berlin (ed.): kunst und medien [art and the media]; arthur zajonc: catching the light: the entwined history of light and mind


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gerda.lampalzer@aon.at
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